American Psycho Script Pdf

American Psycho Script Pdf

These are also excellent for anyone interested in how movie scripts are formatted! AMERICAN PSYCHO. Email-Address as PDF E-BOOK (Not Hard Copy!!!). May 19, 2010 - American Psycho script at the Internet Movie Script Database.

Writer/director/actress, and one of the most influential proponents of LGBT cinema, Guinevere Turner, sat down with NFS to talk about her work as a screenwriter for such films as,,. While sharing about how she got started, her process, and techniques that made her a better writer (yes, including writing bad scenes,) she also discusses her feature directorial debut for her upcoming project Creeps. NFS: So, how did you get into screenwriting?

Script

GT: I got into screenwriting in kind of a roundabout way -- unexpected, I should say. I went to Sarah Lawrence College -- I thought I was going to be a novelist. I was living in Chicago, my girlfriend just graduated from film school, and we were both bemoaning the state of lesbian cinema.

And then I said, 'Well, I'm a writer. I'll write a script. You're a filmmaker, so you'll make a movie.' I'd never wrote a script in my life when I wrote the script for Go Fish. I got into screenwriting because I just decided to do it. I never studied it -- and it's funny, because now I teach it. It was very much a learning-by-doing, trial and error process.

American psycho script pdf free

The guy who wrote Ocean's Thirteen -- -- I was looking at his, and he said, 'All screenwriting books are bullshit. Watch movies. Read scripts.' That has kind of been my execution. One time I really broke down, thinking, 'What can I learn from this movie?' And you know what it is?

Do you know why it's so popular? GT: Because it goes from a montage to a great song about every 15 minutes.

NFS: Let me tell you a little story. When I was in college, I took a class on female directors, and on that syllabus was Go Fish and American Psycho -- two totally different stories written by the same woman. GT: It's funny to me, because I feel like I have these very passionate fanbases that are two completely different animals that don't even know the other exists. Like, I don't think the people who like Go Fish even know I wrote American Psycho and vice versa. NFS: Is it safe to say that as you mature as a writer, you start writing differently -- different subject matter? GT: I think most writers stick to genre more or less -- the genre that they work in.

But, I think for me, one of the things that was informing my choices after Go Fish was that I thought a lot of people, critics, audience, everybody thought, 'Oh, that was cute, but now they told their story. Like, people got the impression that it was a semi-documentary and we were all friends in real life and it was improv. None of that was the case. So, I felt this incredible need to prove that I had a lot more to say. That was a huge part of why I was excited when asked me to do American Psycho with her -- and Bettie Page.

You know, Go Fish was such an anomaly, and we were so young, and we knew we'd have to work hard to get real credibility -- not just be those cute girls from Go Fish. NFS: Even as a female writer, you don't want to be -- you know -- the thought is, 'Women write love stories about girl things --' GT: Mother-daughter stories. NFS: Exactly. GT: Stories about quilts and pants. Stories about Tuscany.

NFS: That's exactly what I'm saying! So, it is important to show that genre isn't gender specific. GT: I'm actually doing something again with Mary. It's 5 horror shorts directed by women. Mary's doing one. Is doing one. The are doing one.

All directors and main characters are female. It just seems like it's going to be a really cool project that will really showcase what we're talking about, which is that females making films doesn't mean romance -- or -- you know, I don't know -- just chick shit, you know. NFS: I was actually wanting to ask you about working with Mary Harron. Scramby v2040 keygen. You've co-written a couple of screenplays with her. What is it like to collaborate with another writer? GT: Finding a person you can collaborate with is more important than finding a spouse.

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You can think someone's a genius, but you can't stand to sit in a room with for 8 hours and talk to each other. The ego balance has to be perfect, where you're able to say, 'No, I don't think that works,' or 'Yeah that's totally great. What about this, too?' And also to be able to together acknowledge when you're burned out. To together acknowledge when you're on fire and want to stay up all night. It's a really important partnership, and I have that with Mary. Even though we live in different cities now, we would always work in person in the same room with one person on the computer.

American Psycho Script Pdf
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