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Effects pedals are electronic or digital devices that modify the tone, pitch, or sound of an electric guitar. Effects can be housed in effects pedals, guitar amplifiers, guitar amplifier simulation software, and rackmount preamplifiers or processors. Electronic effects and signal processing form an important part of the electric guitar tone used in many genres, such as rock, pop, blues, and metal. All these are inserted into the signal path between an electric instrument and the amplifier.

They modify the signal coming from the instrument, adding 'effects' that change the way it sounds in order to add interest, create more impact or create aural soundscapes. Guitar effects are also used with other instruments in rock, pop, blues, and metal, such as electronic keyboards and synthesizers.

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Electric bass players use bass effects, which are designed to work with the low-frequency tones of the bass. Boss DS1 distortion pedal Distortion is an important part of an electric guitar's sound in many genres, particularly for rock, hard rock, and metal. A distortion pedal takes a normal electric guitar signal and combine harmonic multiplication and clipping through the use of analog circuitry to create any number of sounds ranging from a mild vintage blues growl to a 1960s psychedelic fuzz sound to the sound of an highly overdriven tube amp in a metal band. Distortion is essential to the powerful sound of heavy music. There are several different types of distortion effects, each with distinct sonic characteristics. These include overdrive/distortion (or vacuum tube-style distortion), overdrive/crunch, fuzz, and hi-gain. Overdrive Distortion [ ] Overdrive distortion is the most well known of all distortions.

Although there aren't many electronic differences between a distortion an overdrive, the main audible one is that a distortion does exactly as the name suggests; distorts and clips the signal no matter what volume is going through it, the amount of distortion usually remains relatively the same. This is where an overdrive differs. Most overdrives are built to emulate the sound of a tube amp overdriving and therefore give the player control of the clipping through dynamics. Biohazard urban discipline torrent. This simply means that the effect gives a clean sound for quieter volumes and a more clipped or distorted sound for louder volumes. While the general purpose is to emulate classic 'warm-tube' sounds, distortion pedals such as the ones in this list can be distinguished from overdrive pedals in that the intent is to provide players with instant access to the sound of a high-gain Marshall amplifier such as the JCM800 pushed past the point of tonal breakup and into the range of tonal distortion known to electric guitarists as 'saturated gain.' Although most distortion devices use solid-state circuitry, some 'tube distortion' pedals are designed with preamplifier vacuum tubes. In some cases, tube distortion pedals use power tubes or a preamp tube used as a power tube driving a built-in 'dummy load.'

Distortion pedals designed specifically for bass guitar are also available. Some distortion pedals include: • MXR Distortion+: A distortion which is capable of having a very subtle, soft clipping, right through to a heavily overdriven sound favoured by many modern day heavy and death metal guitarists. • Pro Co Rat • Boss DS-1 Distortion • Marshall Guv'nor • Line 6 Dr.

Distorto • T-Rex Engineering T-Rex Engineering's Bloody Mary • Digitech Hot Head • Danelectro FAB Distortion Overdrive/Crunch [ ]. Ibanez Tube Screamer pedal Some distortion effects provide an 'overdrive' effect. Either by using a vacuum tube, or by using simulated tube modeling techniques, the top of the wave form is compressed, thus giving a smoother distorted signal than regular distortion effects. When an overdrive effect is used at a high setting, the sound's waveform can become clipped, which imparts a gritty or 'dirty' tone, which sounds like a tube amplifier 'driven' to its limit. Used in conjunction with an amplifier, especially a tube amplifier, driven to the point of mild tonal breakup, short of what would be generally considered distortion or overdrive, these pedals can produce extremely thick distortion sounds much like those used by Carlos Santana or Eddie Van Halen.

Today there is a huge variety of overdrive pedals, and some of them are: • Ibanez Tube Screamer (TS-9 and TS-808): an overdrive which was built to work with the harmonics of a push-pull tube amp. This effect was made famous by blues guitarist Stevie Ray Vaughan but was and is used by hundreds of prominent guitarists since it's invention. • BOSS SD-1 Super Overdrive • BOSS BD-2 Blues Driver • BOSS OD-3 Overdrive • Line 6 Crunchtone • DigiTech Bad Monkey • N-audio Firesound V3 • Danelectro FAB Overdrive Fuzz [ ]. Arbiter Fuzzface, a fuzz pedal. Fuzz was originally intended to recreate the classic 1960's tone of an overdriven tube amp combined with torn speaker cones.