Author by: Harold Pinter Languange: en Publisher by: Faber & Faber Format Available: PDF, ePub, Mobi Total Read: 42 Total Download: 645 File Size: 51,9 Mb Description: The Room and The Dumb Waiter In these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. 'Harold Pinter is the most original writer to have emerged from the 'new wave' of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' Author by: Harold Pinter Languange: en Publisher by: Faber & Faber Format Available: PDF, ePub, Mobi Total Read: 58 Total Download: 347 File Size: 47,9 Mb Description: This volume contains Harold Pinter's first six plays, including The Birthday Party. The Birthday Party Stanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.
'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday Times The Room and The Dumb Waiter In these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. 'Harold Pinter is the most original writer to have emerged from the 'new wave' of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times The Hothouse The Hothouse was first produced in 1980, though Harold Pinter wrote the play in 1958, just before commencing work on The Caretaker. In this compelling study of bureaucratic power, we can see the full emergence of a great and original dramatic talent. 'The Hothouse is at once sinister and hilarious, suggesting an unholy alliance of Kafka and Feydeau.' Author by: Mary F.
Brewer Languange: en Publisher by: Rodopi Format Available: PDF, ePub, Mobi Total Read: 98 Total Download: 430 File Size: 40,5 Mb Description: This collection of essays focuses on one of Harold Pinter's most popular and challenging plays,The Dumb Waiter, while addressing also a range of significant issues current in Pinter studies and which are applicable beyond this play. The interesting and provocative dialogues between established and emerging scholars featured here provide close readings of The Dumb Waiter, within relevant cultural and historical contexts and from a range of theoretical perspectives. The essays range over issues of autobiography and theater, genre studies, and the impact of Pinter's political activism on his dramatic production, among others. The collection is also concerned with the meaning of the play when assessed against other example's of Pinter's work, both dramatic and non-dramatic writing. Each contributor shows a gift for presenting a complex argument in an accessible style, making this book an important resource for a wide range of readers, from undergraduates to postgraduates and specialist researchers.
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Kel tec 380 serial number location in california. The collection offers essays that approachThe Dumb Waiter, from an interdisciplinary perspective and as both a literary and dramatic text. Thus, the book should be of equal significance to those encountering Pinter within the context of English Studies, drama, and performance.
Author by: Patrick Sing Languange: en Publisher by: Format Available: PDF, ePub, Mobi Total Read: 29 Total Download: 225 File Size: 42,6 Mb Description: Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The book studies English playwright Harold Pinter's literary device 'comedy of manners' and his famous works which fall in this category-The Birthday Party, The Room, The Dumb Waiter, The Homecoming and others. It also looks into his other writing forms like No Man's Island and Betrayal, which belong to the genre of memory plays.
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I don't know quite what to say about this play--it was my first Pinter experience, and I'd be interested to read more. But I'd say that I got a lot more through discussing the play in class than in the actual reading of it; which doesn't necessarily discount it, but I'm hesitant to say I loved it, when really I loved the issues that arose peripherally, as my class was perplexed as to what to bring up from within the text. Issues like: where do we search for meaning, particularly in our reading of literature--is it on the surface? What is the importance of a text if you have to read between the lines, so to speak, in order to gain anything from it.