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Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966, on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks.

Though sessions continued until January 1966, they yielded only one track that made it onto the final album—'One of Us Must Know (Sooner or Later)'. At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. All songs written by Bob Dylan. 'Rainy Day Women #12 & 35' 2. 'Pledging My Time' 3.

'Visions of Johanna' 4. 'One of Us Must Know (Sooner or Later)' Side two 1. 'I Want You' 2.

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If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks. May 12, 2016  Bob Dylan – Blonde On Blonde Stephen Thomas Erlewine: ‘If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound.

'Stuck Inside of Mobile with the Memphis Blues Again' 3. 'Leopard-Skin Pill-Box Hat' 4. 'Just Like a Woman' Side three 1. 'Most Likely You Go Your Way and I'll Go Mine' 2. 'Temporary Like Achilles' 3. 'Absolutely Sweet Marie' 4. '4th Time Around' 5.

'Obviously 5 Believers' Side four 1. 'Sad Eyed Lady of the Lowlands' น้อยลง.

Click to expand.An official release of the NY version of BLOOD ON THE TRACKS is overdue. However, aside from the pair of officially released outtakes, there is little to indicate there is much else of interest in the vaults from those sessions. Rolling Stone once mentioned a Minnesota version of 'Meet Me In The Morning', but that isn't supported by interviews with the musicians or the tape logs. There is a NY recording logged as 'Blues' which *could* be one of the unheard songs from the famous notebook like 'Belltower Blues', but could just as easily be another 'Meet Me In The Morning' or 'Call Letter Blues'.

The only solid information on a potentially interesting alternate take that I can think of offhand is the slow version of 'You're Gonna Make Me Lonesome When You Go' that was scheduled for release on the original 4CD version of THE BOOTLEG SERIES. But until we learn there is more, BLOOD ON THE TRACKS seems like it might be best served by a 2CD deluxe edition, and not an expansive box set.